Youtube alfred hitchcock hour episodes8/10/2023 ![]() Producers and frequent Hitchcock collaborators Joan Harrison and Norman Lloyd handled most of the production chores, though Hitchcock did direct 17 episodes over the course of the series. Because he was so busy with his movie career, he was convinced by MCA executive Lew Wasserman that lending his name and likeness to the series would not take up much of his time. Despite the Hitchcock aesthetic, his direct involvement in the show was limited. In style and substance, Alfred Hitchcock Presents shares a lot in common with Hitchcock’s films, particularly the scheming characters with murder on the mind in 1948's Rope and 1951's Strangers on a Train. Hitchcock's direct involvement in the series was very limited. A silhouette of the robust director appears, accompanied by a selection from composer Charles Gounod’s 1872 instrumental “Funeral March of a Marionette.” Hitchcock then steps into his side profile portrait, which dissolves into the introduction. The title sequence of Alfred Hitchcock Presents was an exercise in simplicity. ![]() Alfred Hitchcock shot different host segments for American and international audiences. While you build your library, check out some intriguing facts about the series, including its little-known connection with The Twilight Zone and why one episode was deemed too intense to air on 1960s network television. Some seasons were only released on home video overseas. You can find the first four seasons on Hulu or the first seven in syndication on the MeTV channel, but a complete collection may require some DVD hunting and a region-free player. Prior to the series, Hitchcock estimated that he received a dozen fan letters every week. While Hitchcock directed only a handful of episodes, he introduced each one: Those morbidly amusing host segments helped the filmmaker behind Psycho and The Birds become an iconic figure in pop culture. ![]() The 10-season anthology series debuted in 1955 on CBS and featured sharp crime tales culled from short mystery and suspense fiction. Before Black Mirror and The Twilight Zone presented cautionary tales of arrogant people behaving badly and getting their comeuppance, there was Alfred Hitchcock Presents. Overall, the entry is an imaginative, if unfortunately flawed 60-minutes.Good evening. The climax is a surprise, consistent with a religiously themed episode, but done in a fairly subtle way. Lynley is well cast, looking positively angelic in a carefully composed way. Too bad, since a subtler approach had real possibilities. As a result, attention is moved from the plot to his excesses. He doesn't just move, he hurtles he doesn't just talk, he shouts. Trouble is the mood is under-cut by Gulager's egregious over- acting. Suspense kicks in fairly early since we wonder how the innocent-looking Pamela can go up against the thuggish Bresson. ![]() Now the Sister feels a duty to get it back, even though she leaves the convent for civilian life. Sister Pamela (Lynley) goes to pick it up, but has it stolen by low-life Bresson (Gulager) on her way back. A wealthy man (Armstrong) donates the antique to a convent to honor an elderly Mother Superior (Elsom) for her help when he was a boy. Unusual story involving a nun and a priceless antique statue.
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